Showing posts with label producing. Show all posts
Showing posts with label producing. Show all posts

Monday, 31 March 2014

How to avoid getting shot in the foot; or Burlesque photography etiquette for beginners


A couple of incidents recently have brought this topic to the forefront of my mind.  We are very lucky in the ACT we have a significant number of really excellent burlesque event photographers. They do amazing work are incredibly supportive and very understanding of the etiquette around shooting shows were people expose themselves.

However, occasionally we are unlucky enough to have significant misunderstandings with photographers we don’t know so well.  I’ve done some thinking about this and here are my top tips for avoiding misunderstandings and keeping stress to a minimum on both sides.
For Producers:
When engaging a photographer:

1/. Be CLEAR about what you want and what you can spend.  This might seem obvious but sometimes producers are so used to dealing with photographers that already know they forget to fill in the blanks when engaging a different photographer.  What do you expect? How much can you pay? When can they post the images?  These are all things that will need to be addressed.

2/. Explain the rules.  A new photographer may not know the burlesque etiquette we take for granted.  You know the ones; no pastie shots on the internet (without the performers express permission), which performers don’t like to photographed, only use stage names etc.

3/. Know the law.  In Australia copyright belongs TO THE PHOTOGRAPHER.  We have some limited control because events are usually private (ticketed and secure) but that control is limited.  Maintaining a good relationship with the photographer is the best way to ensure that photos don’t end up in places you don’t want them.

When a photographer approaches you at an event:
1/. Did they approach you?  You do not have to let them take photographs.  It is (likely) a private ticketed event and you have every right to request that they not take photographs.  If you let them shoot the event make sure you (or another organiser) have time on the night to explain burlesque photography etiquette to them.

2/. Tell them up front if they can expect payment for this or not.  You have no contract in place, you are not obliged to provide financial consideration and conversely, they are not required to provide you with images (see on copyright above).  If they want payment and you can’t afford it, politely decline to have them shoot the event.  I my experience my photographers who show up to a ticketed event (with a ticket) are pretty understanding, if they aren’t you probably don’t want them there anyway.

3/. CHECK WITH THE PERFORMERS!  This might seem obvious but if there is no agreement in place to photograph the show some of the performers may prefer not to be photographed.  Before you let anyone shoot a performance be sure that the performers are okay with it.  If they aren’t be VERY clear about who can and cannot be photographed.

For Photographers:
0/. (Yes, I made a zero because I think this one should go without saying.)  Want to shoot at an event? Ask.  Be prepared for the producer to say no, if they say no, don't argue.  If you shoot an event without express permission expect people to get upset with you.  Performers and producers go to great lengths to protect their brand/image and you're infringing on that.

1/. Same as for producers; be CLEAR about what you expect.  As I already mentioned producers are so used to dealing with photographers that already know they sometimes forget to fill in the blanks when engaging a different photographer.  What do you expect? What can they expect at the end? How much do you need to make the gig a reasonable one? When can you post the images?  These are all things that will need to be addressed.

2/. Be considerate.  This is slightly different than a regular gig, not only is this the performers brand, it’s their body.  It is fraught with all kinds of considerations.

3/. If you are approached by someone outside the event organisers (press, interested parties etc) for an image please check with the performer (preferred) or the producers before supplying that image.  This can cause huge amounts of anxiety that are not necessary.  You generally wouldn’t publish a photo of anyone else without permission the performers are no different.

4/. Please do not publish pastie shots. This is the final reveal, the punchline so to speak.  Some performers don’t mind but unless you have express permission to post these shots please don’t.

5/. Do not go backstage without EXPRESS PERMISSION. It might seem that this goes without saying but sometimes people get carried away wanting to capture the entire event.  If you don’t have permission to be backstage ask, some performers are very careful of how they allow themselves to be captured.

6/. Ugly faces.  If the body looks amazing but the face doesn’t, please don’t post it.  Burlesque performers’ faces sometimes do some funny things that don’t translate well to still images.  Crossed eyes, tongues out etc…  This is our brand, we rely on looking amazing EVERYWHERE.
 
In the end burlesque photography etiquette is easy, as long as everyone is on the same page.

Friday, 7 February 2014

Gal Friday - Tiffany Blue


 Photograph, Hair MUA and minxy smile by Tiffany Blue.
Today’s Gal Friday is sparkly dame with kooky kick! Producer of Naked Girls Reading - Canberra , founding member of The Sass and Tease Collective and Co-producer of DIE FRINGE BURLESK! (On tonight in Civic Square don’t miss it!)

She puts the sparkle in seduction:
Tiffany Blue!

I caught up with her caught up with her for five quick questions before the show!...

What got you started in Burlesque?

I've been a dancer my whole life and I was looking for a performance outlet. My husband had been trying to convince me to do a Burlesque class for a while and eventually I caved in and then I couldn't stop!

What is your favourite Canberra venue and why?

I don't have a particular favourite because each venue has something that makes it great! Polit Bar is so intimate and lush,
The Abbey has such a fun stage and atmosphere, it's always amazing to have a theatre to perform in like The Street Theatre or The Canberra Theatre... I could go on and on!

What is your most memorable performance?

The first time I nailed Burlesqueasaurus in front of an audience and hearing the whoops and laughter!

What is the sparkliest thing you own?

So much of what I own is sparkly! Costumes, shoes, jewellery, my dogs (on occasion!), my husband! (Local Boy-lesque performer
Captain Spitfire)

What is your favourite thing about burlesque in Canberra?

The amazing skill and variety we have here! Our community is growing steadily and is filled with awesome!
 

Thursday, 9 August 2012

Mondayits Cabaret: Secret Lives - Lessons Learnt

In the lead up to August 13th and my first Mondayitis show as Production Manager.   I thought I would put together a little lessons learnt for future reference.  I'm sure I will have more to say on the subject on Tuesday!

So when producing a cabaret/variety night.

DO -
  • Set a theme, it makes pulling together performaces and programming the night that much easier.
  • Get all your paperwork ready well in advance, this will save anxiety later.  It includes but is not limited performer information, photography rights/model release forms.
  • Go to the venue beforehand.  Soundchecks, orientation etc are much better done well before show day when you will have a million other things on your mind.
  • Engage professional photographers for the show, their photographs will be a million times better than you think!
  • Figure out what licences you need early, some licences take up to eight weeks to process!
  • Get yourself a good team, stage and technical crew will be your lifeline if something goes wrong, it pays to have people in that box you trust!
  • Make sure you know what your venue capacity is!  This is a fire and safety concern, if you overload your venue there's a good chance they won't have you back.
  • Cultivate a good relationship with your venue after all without them you'd be holding your show in your loungeroom, much less exciting.
  • Make sure your costume is sorted out well in advance if you are planning to perform, satying up till 3am the night before sewing on sequins isn't good for anyone's complexion.

DON'T -
  • Make your theme to narrow, it make getting performances to fit difficult.
  • Expect that everyone will be as keen to do their paperwork as you are, we all have busy lives and you may need to exercise your production klout to get it done.
  • Get upset if people can't make orientaiton/soundcheck etc, life gets in the way, the show will go on.
  • Just assume the venue will be happy for you to do things, for example many venues have 'no glitter' policies (it's a nightmare to clean up).
  • Forget you crew need a break too, try and make sure no-one has to work too long at any one thing, this is meant to be fun.
  • Forget to deduct you perfromers/reviewers/complimentary ticket holders from the amount of tickets you can sell!  Just because they haven't paid doesn't mean they don't count towards capacity!
As I said I'm sure there will be more to add come Tuesday but right now I'm just really looking forward Monday night, It should be a great show, I'll share some of the photographs on here as well.